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Interesting Finds: Louis Ude French Chef

In the course of doing research for a non-fiction book, I ran across an interesting character: Louis Eustache Ude, French chef.

Louis Eustache Ude was born around 1769, the son of a chef who cooked at the court of Louis XVI in France.  Louis was briefly apprenticed there as as well, left to try other occupations, and then returned to cooking.  He cooked for Napoleon’s mother, Maria Letizia Buonaparte for 2 years.  Moving on to England (probably late 18th-early 19th century), he went to work for William and Maria Molyneux, 2nd Earl and Countess of Sefton, with whom he stayed for almost 20 years.  The Earl and his countess were known for lavish dinners and select parties. His cuisine must have been greatly appreciated, as the Earl paid Ude 300 guineas per year, and left Ude 100 guineas in his will. While in the earl’s employ, Ude published his first cookbook, THE FRENCH COOK, in 1813. It is said that Ude left the earl’s service when the earl’s eldest son put salt in a soup Ude had prepared.  The exact dates of service for the earl are not known.

After leaving the Earl’s service, Ude went to work for the Duke of York.  After the duke’s death in 1827, he went to work for Crockford’s, a gaming club in St. James’s Street, where he was paid 1200 pounds per year to start.  He was there until late 1838 or early 1839, when he left over a salary dispute.  He was replaced at Crockford’s by Charles Elme’ Francatelli (about whom more here  ), while he moved on to work at other clubs.  His cookbook, which he re-titled THE FRENCH COOK: A System of Fashionable, Practical, and Economical Cookery, Adapted to the Use of English Families, went into numerous editions. (It is interesting to note that Mrs. Beeton is rumored to have included Ude’s recipe for turtle soup in her own cookbook.)  Ude was living in London when he died April 10, 1846.

Sources include:

Cooksinfo.com “Louis Eustache Ude” by Randall Oulton, published December 31, 2005 and updated May 10, 2018.  (c) 2010.  HERE

GoogleBooks.com THE NATIONAL REVIEW Vol 25, March-August, 1895.  pp. 784-785. London: Edward Arnold. “The Literature of Cookery (18th and 19th Centuries)” by A. Kenney Herbert. HERE

Morningmail.org “Indigestion: Dinner with high drama” (no author or post date shown). HERE

Oldcookbooks.com “Ude, Louis Eustache. The French Cook” (no author or post date shown). HERE

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Blog Hop Celebrating A RATIONAL ATTACHMENT!

A Rational Attachment cover from Amazon

My latest book, A RATIONAL ATTACHMENT, was released in December 2019, and introduced at the Sunshine State Book Festival and the Amelia Island Book Festival (both terrific events, about which more later).  Historical Fiction Virtual Blog Tours is conducting a blog hop with a giveaway to celebrate this release.  Please go here to check the schedule and see why I’m so excited.  Don’t forget to enter the giveaway!  In addition to the book and the e-book, there will be some special surprises to enjoy while reading. Don’t miss it!

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Diana Hill, Miniaturist

Over on the English Historical Fiction Authors’ blog, I wrote about Diana Hill, a talented artist in 18th century England.

Diana was born about 1760, possibly in London, to George Dietz, a jeweller. Her mother’s name is unknown.  Very little is known about her youth, except that she learned how to paint miniatures from Jeremiah Meyer, who painted miniatures for King George III and Queen Charlotte, and was a foundation member of the Royal Academy in 1768. Mr. Meyer had a son who went to Calcutta, and was employed as a civil servant.  In 1775, Diana Dietz exhibited miniatures at the Society of Artists. That year, for “promoting the Polite and Liberal arts” [1],  she also won a silver palette and five guineas from the Society of Arts (Society for the Encouragement of Arts Manufactures and Commerce) for her drawings of flowers.  During the period 1777-1798, she exhibited miniatures at the Royal Academy, under her own name Diana Dietz from 1777-1780. One such painting was a portrait exhibited in 1778.

 To read more about Diana, go the the English Historical Fiction Authors’ blog HERE.

[1] TRANSACTIONS OF THE SOCIETY INSTITUTED AT LONDON, FOR THE ENCOURAGEMENT OF ARTS, MANUFACTURES AND COMMERCE, WITH THE PREMIUMS OFFERED IN THE YEAR 1784, Volume II.  p. 124.

 

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A Great Weekend

I spent this past weekend at the Sunshine State Book Festival in Gainesville, Florida, organized by the Writers’ Alliance of Gainesville. It was a terrific weekend. It started with a reception for the attending authors on Friday evening, which was delightful. On Saturday, the book festival itself was held on the campus at Santa Fe College. What a terrific venue! The room was full of authors, presenting books in a wide range of genres. There was excellent attendance, with people coming through and browsing all day. It was a great opportunity to meet other authors, as well as the the attendees who came through to check out the books.

It was an excellent place to introduce my new novel, A RATIONAL ATTACHMENT. I am very grateful to have had the opportunity to attend!

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Mary Edwards, An Independent Woman

Over on the English Historical Fiction Authors blog, I write about Mary Edwards.

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Portrait of Mary Edwards by William Hogarth, 1742 from Wikimedia Commons (here.)

Mary Edwards (or Edwardes) has already been mentioned in the English Historical Fiction Authors blog (here) in connection with the arts and Hogarth.  She was a fascinating and strong-minded woman, not afraid to make decisions or to take her life into her own hands.

To read more about her, visit the English Historical Fiction Authors blog HERE

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A Matter of Trade

In my new book, A RATIONAL ATTACHMENT, the heroine’s father is an extremely wealthy man whose family made their money in trade, banking and business.  A well-educated and cultured man, he is unashamed of his family background or the fact that he still engages in the work he enjoys.  He becomes interested and involved in a new venture involving a new potential trade post in the east, Singapura.

The British needed a port in the east, in or near the straits of Malacca, to have a place where trade ships could put in and be resupplied, the Navy could have a presence to protect British ships from piracy and from harassment by the Dutch, and where trade could be done.   The British also did not want to stress their relationship with the Dutch, already established in the area. The waters off Malacca, in Malaysia, where the British were already established, were too shallow.  Sir Thomas Stamford Bingley Raffles, lieutenant governor of a British colony in Bencoolen in Sumatra, led a party to search the area for an appropriate location.  His party landed in Singapura in January of 1819.   The British established a trading outpost in Singapura (now known as Singapore), where there was a deep water harbor.

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Col. William Farquhar

There was no conquest.  A treaty was signed February 6, 1819 by Stir Thomas, Temenggong Abdu’r Rahman (“Temenggong” is an ancient Malaysian title), and Sultan Hussein Shah of Johor (Johor was on the Malaysian peninsula and was considered the ruler of Singaura), allowing the British East India Company to establish a trading post in Singapura, in exchange for yearly payments to the Temenggong and the Shah.  Sir Thomas left the next day, leaving then-Major William Farquhar as Resident and Commandant of the newly established post with instructions for the development of the site.  In spite of these instructions, communications with Sir Thomas were so poor that Singapura developed independently.  The colony grew rapidly, and trade with China, India, Arabs and others amounting to 400,000 Spanish dollars passed through it in its first year.  By 1821, trade had grown to over 8 million Spanish dollars.

It is easy to see why a successful business man would be interested in such an opportunity!

Sources include:

Facts and Details.  “The Early History of Singapore”. here

The British Empire.  “A Splendid Little Colony” by Samuel T. W. Wee.  here

HistorySG. “The British Land in Singapore 28th January 1819.” here

Wikimedia Commons-Photograph taken in 1924 of a lithograph c. 1830 which was based on an oil painting c. 1828.  here

Wikimedia Commons shows Joachim Ottens’ two part c. 1710 map of the Kingdom of Siam and its tributaries, including Malaysia and Singapore here

A RATIONAL ATTACHMENT by Lauren Gilbert is currently in production.  Watch for it!

 

 

 

 

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Women’s Lives Recorded in Sketchbooks and Diaries

Today, I’m posting on the English Historical Fiction Authors’ Blog…

Diaries and sketchbooks fascinate me, especially those of women. Many of my favourites happen to have been drawn or written by English women in earlier times. The ability to depict one’s daily life in a way that is clear and entertaining to a third party, whether in art or in writing, is a real talent. (My own efforts tend to read more like the essay read in Cheech and Chong’s “Sister Mary Elephant”.) One cannot always assume that a diary written by a woman, especially a young, unmarried woman living with her parents or guardian, expressed her true feeling or opinions as her diary may not have been private. However, the details of one’s daily activities and the people with whom time was spent can give the viewer an idea of how life was lived on an intimate level. I’d like to introduce three of my personal favourites.

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My copy of Mrs Hurst Dancing & Other Scenes from Regency Life 1812-1823

To read more, please visit the English Historical Fiction Authors’ Blog HERE
Continue reading “Women’s Lives Recorded in Sketchbooks and Diaries”

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NEW RELEASE! Prue Batten’s Latest Novel PASSAGE

On Friday, June 28, my friend Prue Batten released a new book. This book, PASSAGE, is a departure for her: this one is contemporary fiction. A gifted writer, she is already well-known for her historical fiction series, THE TRIPTYCH CHRONICLES (3 volumes), and THE GISBOURNE SAGA (3 volumes), as well as her wonderful fantasy series THE CHRONICLES OF EIRIE (4 volumes), and a delightful children’s book WOMBAT. PASSAGE is already receiving acclaim. Today, she is visiting my blog to talk about what inspired this new direction.

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The Inspiration for Passage by Prue Batten

I never intended to write a contemporary fiction.
Ever.
But it is a genre I’ve always enjoyed reading – authors of the calibre of Rosamunde Pilcher and Alexandra Raife in my earlier days and then Cathy Kelly, Joanne Harris, Maggie Christensen, Joanna Trollope, Jan Ruth, Maeve Binchy and others more recently.
The attraction of the genre is the way it deals with the human condition – no writer shies away from the tough or the tender.

So what was the motivation for me? Well, the oddest little thing really…

My last historical fiction, Michael, had been released and I was taking some time out, re-reading Winter Solstice by Rosamunde Pilcher. In awe of her atmospheric and descriptive writing, I contrived a paragraph about a woman sitting in the sun, trying to give it the Pilcher style. Subsequently I copied and pasted it to my Facebook wall – just for fun.
But then, Juliet Marillier, globally loved writer of myth-based fantasy and also a fan of Rosamunde Pilcher, challenged me to write a contemporary fiction. More particularly, one with a woman in her later years as the protagonist.
I didn’t even think twice (Probably a bad idea. I’ve always been too impulsive.) and thought why not?
So Passage, in the first instance without a title, was born.
My protagonist became a woman on the cusp of her seventies who faces the worst moment of her life when her adored husband of fifty years has a traumatic farm accident. As the blurb indicates, Annie loses Alex and Passage becomes her journey from grievous loss to a gentler existence.
I was determined that it should not be a depressing novel and wanted there to be wry humour and comfort in the reading of this story and so Annie has a crazy little Jack Russell as her companion, along with a dry-witted and kind French woman who is completely Yang to Annie’s Yin.
In addition, Annie converses with her husband. Is she mad? Is he a spirit? Heavens’ knows.
But it comforts Annie and has the approval of her psychologist.

Writing the novel has enabled me to understand grief much more. I now realise that it has its own agenda, its own timeframe and that it can be bridged and that there can be life on the other side.
My dearest wish is that folk will travel with Annie with affection and enjoyment, knowing that grief has many forms and many faces but that all are ultimately bearable…
Thank you, Lauren for inviting me today.
If you would like to read Passage, here is the link. mybook.to/Passage

And if you want to find out more about Prue:
www.pruebatten.com

www.facebook.com/Prue.Batten.writer

www.pinterest.dk/pruebatten

www.instagram.com/pruebatten/

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