Summer Banquet Blog Hop

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A SUMMER BANQUET: A Regency Picnic

During the summer months, we tend to go for lighter fare, and (whenever possible) to eat outdoors. The picnic was just as popular in England during the Georgian and Regency periods, as illustrated by the picnic at Box HIll in Jane Austen’s EMMA. Using Eliza Smith’s The Compleat HOUSEWIFE cookbook, we can pull together a delightful summer banquet for outdoors. The bills of fare for May, june, July and August provide plenty of ideas.

For the first course, along with a “Grand Sallad”, some “Roasted Losbsters”, “Fruit of all Sorts,” “Gooseberry Tarts”, and “Fish in Jelly” sounds delicious. The second course should include some cold ham and chicken, a dish of “Fish in jelly” and a “Pigeon Pie”. For both courses pickled asparagus and pickled slice cucumbers make tasty garnishes. Removes could include a “Potatoe Pie”, some strawberries or raspberries, and “Morello Cherry Tarts.”

To make a “Pigeon Pie”, you start with a two-crust pastry. After that, Mrs. Smith says “Truss and season your pigeons with savory spice, lard them with bacon, stuff them with forc’d mean, and lay them in the pye with the ingredients for savory pyes, with butter, and close the pie.” (Savory spices include salt and pepper, nutmeg, and mace. Herbs such as thyme, marjoram, parsley, or savory could also be added, with a shallot or onion.) When the pie is done, pour a Lear into the pie. A Lear is a sauce or gravy. Mrs. Smith instructs “Take claret, gravy, oyster-liquor, two or three anchovies, a faggot of sweet-herbs and an onion; boil it up and thicken it with brown butter, then pour it into your savory pyes when called for.” Savory pies such as pigeon pie can be eaten hot or room temperature or cold.

SUMMER BANQUET BLOG HOP GIVEAWAY

Summer is the perfect time to sit outside with a book. I am giving away a signed paperback copy of my book HEYERWOOD: A Novel to a winner in the U.S. or Canada. Just leave a comment for a chance to win (be sure to leave a contact e-mail)! This drawing will close at midnight on Friday, June 7, 2013, and a winner will be announced as quickly as possible. Good luck!

This blog hop will appear from June 3-June 7, 2013. Please visit all of the participating authors for more summer fun!

Hop Participants:

1.

  • Random Bits of Fascination (Maria Grace)
  • 2.

  • Pillings Writing Corner (David Pilling)
  • 3.

  • Anna Belfrage
  • 4.

  • Debra Brown
  • 5.

  • Lauren Gilbert
  • 6.

  • Gillian Bagwell
  • 7.

  • Julie K. Rose
  • 8.

  • Donna Russo Morin
  • 9.

  • Regina Jeffers
  • 10.

  • Shauna Roberts
  • 11.

  • Tinney S. Heath
  • 12.

  • Grace Elliot
  • 13.

  • Diane Scott Lewis
  • 14.

  • Ginger Myrick
  • 15.

  • Helen Hollick
  • 16.

  • Heather Domin
  • 17.

  • Margaret Skea
  • 18.

  • Yves Fey
  • 19.

  • JL Oakley
  • 20.

  • Shannon Winslow
  • 21.

  • Evangeline Holland
  • 22.

  • Cora Lee
  • 23.

  • Laura Purcell
  • 24.

  • P. O. Dixon
  • 25.

  • E.M. Powell
  • 25.

  • Sharon Lathan
  • 26.

  • Sally Smith O’Rourke
  • 27.

  • Allison Bruning
  • 28.

  • Violet Bedford
  • 29.

  • Sue Millard
  • 30.

  • Kim Rendfeld
  • What Matters In Jane Austen?

    Any fan of Jane Austen’s novels has become accustomed to seeing new books about her, her novels and her writing skills almost on a daily basis. I recently purchased and read WHAT MATTERS IN JANE AUSTEN? Twenty Crucial Problems Solved by John Mullan (Bloomsbury Press, 2013). I found this to be an enjoyable read, and a useful work. Mr. Mullan has presented a collection of essays dealing with certain concepts that appear in Jane Austen’s novel, and explaining their significance. Questions of age, the importance of the weather, who speaks or (just as importantly) who never speaks, illness, blushing and other topics all are examined. In each of these chapters, Mr. Mullan’s insights gave me additional perspective on each novel. These new perspectives have made me more aware of points of view, mores of the time, Austen’s subtlety, and other things that have deepened my appreciation and enjoyment of Austen’s writing.

    For example, in the chapter about weather, Mr. Mullan indicates that Jane Austen is the first novelist to point out weather shifts that might occur during any normal day, and to use them to highlight and to move her plots. While I cannot address his contention that Austen is the first to use weather in this way, I can say that, after reading this chapter, I have a much keener awareness of and appreciation for the significance of the weather throughout her novels. It isn’t that the reader is unaware of the impact of the weather on the various stories; Mr. Mullan’s discussion has a way of highlighting the significance of the weather and its changes in context. Many modern readers live in a climate-controlled situation. Going to visit a friend on a rainy day means going from one’s door to one’s car, barely dampened by the rain. The real effect of walking three miles on a rainy day in a muddy lane doesn’t have the immediacy for us that it would have had for Jane Austen’s contemporaries. After reading Mr. Mullan’s essay, I am much more aware of the significance of the mentions of the weather in the novels, and have found that this increased awareness has brought even more life to the stories. Sometimes he addressed things that I felt, but had not consciously thought about in reading the novels. The other chapters have had a similar effect for me. It was interesting to find that some topics that seemed obvious had depths I had not previously considered sufficiently.

    Mr. Mullan’s writing style is very easy to read, with a conversational tone. It is rather like reading letters from a friend who explains why he liked something or found an idea important. He is obviously well versed, citing Austen’s letters and the novels in support of his ideas very convincingly. The chapters are titled, and each reads well. He provides notes and a bibliography, so the reader can study further. I enjoyed reading it, and especially enjoy the fact that my appreciation for Austen’s writing has only increased.

    Here is a link to this book on Amazon: http://www.amazon.com/What-Matters-Jane-Austen-Crucial/dp/1620400413/ref=sr_1_1?s=books&ie=UTF8&qid=1369686970&sr=1-1&keywords=what+matters+in+jane+austen

    The Beauty of Old Books

    The Cover of Marmion by Sir Walter Scott
    The Cover of Marmion by Sir Walter Scott

    I love old books. The paper is thicker and has a certain feel to it. They have a scent and a weight in the hands, a feeling of substance. The covers may be leather or cloth, and they impart a dignity to the volume. Somehow old books just seem to have a significance that the newer volumes, however beautiful the cover or dust jacket may be, just don’t match.

    The picture above is the cover of a copy of Marmion by Sir Walter Scott. It is difficult to say for sure, but I think it must have been originally white, with gilding in the tooled designs surrounding the center illustration of the young woman in the garden. There is no page giving printing or publishing information. It is a small book, of a size to slip easily into a small purse (or even a reticule) or pocket. It was obviously a dainty item, I think intended to be a gift for a special young lady.

    It did not surface until after she had passed away, so I could not ask my grandmother how she came by it. There may be a reason why the page with publication data is missing-might there have been an inscription that was too sensitive to keep? Possibly a romantic gift from someone, kept after the romance had ended? It was hidden away so I suspect it was a keepsake from long ago. I can picture her taking it out occasionally, turning it over in her hands, reading a passage here and there. I hope it brought a smile. I treasure this little book because, as battered and worn as it is, it still has a faded loveliness, and because it was obviously important to my grandmother. It’s inspiring to think what might have been…

    Home Entertainment

    Today, when we think of home entertainment, we usually watch something on television, maybe pop in a DVD or listen to music. Some people play video games; others may still do the old-fashioned thing and play games-board games, cards, etc. Today I received in the mail a reminder of an earlier way to have fun: home theatricals.

    The Winning Widow-A Parlor Comedy 1916
    The Winning Widow-A Parlor Comedy 1916

    This is my grandmother’s copy of a 2-act play, designed for home performance. Published by T. S. Denison & Company of Chicago, the fly leaf contained a partial list of available plays (a large catalogue was available for free). Ranging from two to four acts, the list includes the number of male and female parts, and an approximate length. The Winning Widow was expected to take about two hours to perform. The booklet includes the story of the play, a synopsis for one’s program, costume information, and a list of props-the costumes and props were things likely to be found at home. There is even a scene plot for the stage.

    Home theatrics have a long history. Jane Austen wrote and performed in plays at home with her family. An important element to the plot of MANSFIELD PARK is the activity surrounding an intended performance of Lovers’ Vows proposed by Tom Bertram. It’s very interesting to see a connection to that tradition in my own family!

    Princess Esterhazy: The “Bonne Enfant” of Almack’s


    Portrait of Prince and Princess Esterhazy with their children c. 1850

    She was born Her Serene Highness, Princess Maria Theresia, Hereditary Princess of Thurn and Taxis on July 6, 1794. Her parents were Karl Alexander, the 5th Prince of Thurn and Taxis, and Duchess Therese of Mecklenburg-Strelitz (a niece of the late English Queen Charlotte). She was their third child, and second daughter. Princess Maria Theresia was born in Regensburg, Bavaria. She maintained an attachment to the city of Regensburg throughout her life.

    Princess Maria Theresia was married to Crown Prince Paul Anthony Esterhazy III (date of birth March 11, 1786) of Galantha on June 18, 1812 in Regensburg, not quite 18 years old to his age26. The prince’s father, Prince Nicholas II, travelled extensively and had lived for some time in England. From an ancient Hungarian family, Prince Paul Esterhazy had begun a diplomatic career young, serving under Louis, Prince of Stahremberg, in London. He was apparently liked and respected in English society as well as in diplomatic circles. It seems Princess Esterhazy was already active in London society and established as a Patroness of Almack’s by 1814, so it is obvious that she plunged right in to the social mainstream. After attending the Congress of Vienna in 1814 with Metternich, where Princess Esterhazy was much admired, Prince Paul was appointed to the Prince Regent’s court in 1815 as Austrian ambassador, at the Prince Regent’s request.

    The youngest of the Lady Patronesses, Princess Esterhazy was an attractive young woman, based on the descriptions. She was apparently dark, plump, pretty and lively. Countess Lieven (later Princess) described her as “small, round, black, animated and spiteful”. She was very formal, and known to have a distaste for status seekers. Her love of ceremony and etiquette were attributed to her German background. As wife of the Austrian ambassador, Hereditary Princess of Thurn and Taxis in her own right, and connected with English royalty (cousin to Princess Charlotte, niece of the Duchess of Cumberland), Princess Esterhazy was at the top of the social strata from the beginning. Her knowledge protocol and of Austro-Hungarian, German and central European aristocracy would have been invaluable to her as a hostess for her husband.

    Princess Esterhazy’s youth, personal attractiveness, and connections put her into a position of influence, had she chosen to use it. Supposedly Countess Lieven felt Princess Esterhazy to be a threat to her own position, at least initially. Information about Princess Esterhazy as a spiteful person appears in Countess Lieven’s letters to Prince Metternich. Countess Lieven was known for her efforts to influence European politics in Russia’s best interests, and apparently feared that the Austrian ambassador’s young wife would attempt to compete with her on the political stage as well as in society. It’s interesting to speculate that her malicious comments about Princess Esterhazy were an underhanded way to undercut Prince Paul’s position as Austrian ambassador. Ironically, there is no reference to Princess Esterhazy having any interest in political maneuvering. According to the Memoirs of the Comtesse de Boigne, Princess Esterhazy missed her home and was bored in London.

    Princess Esterhazy was primarily associated with high society in her capacity as Lady Patroness of Almack’s. She was one of only two foreigners accorded this position (the other being Countess Lieven). As previously mentioned, she was a very high stickler. She was noted for her love of new dances, and was especially fond of waltzing. She was frequently partnered by Baron de Neumann, secretary at the Austrian Embassy.

    Prince and Princess Esterhazy had 3 children, two daughters and a son, Nicholas Paul. It is interesting to note that their son was born in Regensburg in 1817, and married Lady Sarah Frederica Villiers, the daughter of Lord and Lady Jersey.

    Her father-in-law passed away November 25, 1833, at which point her husband Paul became the 8th Prince Esterhazy of Galantha. Princess Maria Theresia’s full title became Princess Maria Theresia Esterhazy, Princess of Galantha, Princess of Thurn and Taxis. (The questions of lineage and title were apparently contributed to Countess Lieven’s dislike of Princess Esterhazy; her dislike appears to have been returned. When Count Lieven was made a prince in 1826, the now-Princess Lieven told Lord Grey that they were the only ones granted that title. Princess Esterhazy had no hesitation in showing her disdain for the Russian title, which did not endear her to Princess Lieven.) It is worth noting that the only source I found that dwells on Princess Esterhazy’s spiteful nature seems to be Princess Lieven.

    Prince Esterhazy served as the Austrian Ambassador from 1815 to 1818, and again from 1830 to 1839. Prince and Princess Esterhazy also ruled Galantha from his father’s death and returned there in 1842. The Prince was active in political affairs for the Austrian empire and for Hungary, serving briefly as minister of foreign affairs to the King of Hungary, trying to mediate between the two governments. He left public life completely when Austrian and Hungarian relations broke down in 1848. I have found little data of Princess Esterhazy’s life after leaving England or during the years in Hungary. Sources indicate that Prince Esterhazy (and, by extension, Princess Esterhazy) had spent beyond his means, and that his last years were made difficult by money problems. He died May 21, 1866 in Regensburg (Maria Theresia’s much loved home city), at which time their son Nicholas became Crown Prince.

    Princess Maria Theresia lived until August 18, 1874. She died in Huttledorf, Vienna, Austria. It is known that her son eased the family’s financial straits by selling the family’s famous art collection to the Austro-Hungarian Empire about 1870. Her rooms are the focus of an exhibition at the Esterhazy Palace in Eisenstadt, Austria. I requested more information about her from the Esterhazy Palace, but have yet to receive a reply. I will post an update with any additional information about her, when received.

    Sources include:
    Chancellor, E. Beresford. LIFE IN REGENCY AND EARLY VICTORIAN TIMES An Account of the Days of Brummell and D’orsay 1800 to 1850. London: B. T. Batsford, Ltd. 1926.

    Also by Chancellor: Memorials of ST. JAMES’S STREET and Chronicles of Almack’s. New York: Brentano’s, 1922.

    Charmley, John. The PRINCESS and the POLITICIANS Sex, Intrigue and Diplomacy, 1812-1840. London: Penguin Group, 2005. [This is actually about Princess Lieven, but talks about her issues with Princess Esterhazy.]

    Gronow, Captain Rees Howell. Reminiscences of Captain Gronow. London: Smith, Elder and Co. 1862. Reprinted by IndyPublish.com, McLean, VA.

    King, David. VIENNA 1814 How the Conquerors of Napoleon Made Love, War, and Peace at the Congress of Vienna. New York: Random House, Inc. 2008
    .
    Kloester, Jennifer. GEORGETTE HEYER’S Regency World. London: William Heinemann, 2005.

    Quennell, Peter, ed. THE PRIVATE LETTERS OF PRINCESS LIEVEN TO PRINCE METTERNICH 1820-1826. New York: E. P. Dutton & Co., Inc. 1938.

    Robinson, Lionel G., ed. LETTERS OF DOROTHEA, PRINCESS LIEVEN, during her Residence in London, 1812-1834. London: Longmans, Green and Co. 1902.

    Candace Hern’s blog. “Leaders of Society and the Demimonde.” Princess Esterhazy (1794-?) http://www.candacehern.com/regency.htm

    Unusual Historicals blog. “Fashionable People of the Regency- – Time for a Reassessment?” by Michelle Styles, posted 7/10/2012. http://unusualhistoricals.blogspot.com/2012/07/fashionable-people-of-regency-time-for.html

    GoogleBooks.com. An Irish Beauty of the Regency by Frances Pery Calvert (the Hon. Mrs.) Great Britain: John Lane, 1911. Page 341. http://books.google.com/books?id=_LA_AAAAYAAJ&pg=PA341&lpg=PA341&dq=princess+esterhazy+regency&source=bl&ots=VfO–gHncf&sig=dpn5TZy–v898ruToxfX9z2Q6pY&hl=en&sa=X&ei=jw0gUe6vCpT09gTfzYHQCA&ved=0CDIQ6AEwATgU#v=onepage&q=princess%20esterhazy%20regency&f=false

    GoogleBooks.com. Memoires of the comtesse de Boigne, Volume 2. (1815-1819). by Louise-Eleonore-Charlotte-Adelaide Osmond Boigne (comtesse de). M. Charles Nicoulaud. London: William Heinemann, 1907. http://books.google.com/books?id=6VUoAAAAYAAJ&q=The+diplomatic+body+paul+esterhazy#v=snippet&q=The%20diplomatic%20body%20paul%20esterhazy&f=false

    GluedIdeas.com. From “Chambers Encyclopedia 1880”, Vol. 5 Escitria to Fagging, ESTERHAZY entry. http://gluedideas.com/content-collection/chambers-5/Esterhazy.html

    ThePeearage.com. “Maria Theresia Prinzessin von Thurn und Taxis.” Person #32081. http://www.thepeerage.com/p32081.htm#i320810; “Pal Antal Furst Esterhazy von Galantha.” Person 320811. http://www.thepeerage.com/p32082.htm#i320811

    Wikipedia.com. “Princess Maria Theresia of Thurn and Taxis.” http://en.wikipedia.org/wiki/index.html?curid=25561257
    Image: Wikipedia Commons Prince Pal Antal Esterhazy and his Family c 1850 artist unknown http://upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Prince_P%C3%A1l_Antal_Esterh%C3%A1zy_and_his_Family_c._1850.jpg/595px-Prince_P%C3%A1l_Antal_Esterh%C3%A1zy_and_his_Family_c._1850.jpg

    Hearts Through History Hop

    From February 10-16, 2013, I am participating in the Hearts Through History Blog Hop.  There are 24 blogs involved, each with a special giveaway in honor of Valentine’s Day!   (A list is at the end of this post.)  Our blogs will feature our favorite romantic anecdotes.

    One of the most romantic real-life love stories is that of poets Elizabeth Barrett and Robert Browning, a love story that began through poetry and grew in their letters.  During their correspondence after their meeting, before Elizabeth consented to their elopement and marriage, Robert wrote, “…Will it help me to say that once in this Aladdin-cavern I knew I ought to stop for no heaps of jewel-fruit on the trees from the very beginning, but go on to the lamp, the prize, the last and best of all?….”  [Letter dated September 16, 1845]  They finally married secretly on September 12, 1846 at St. Marleybone Church, almost a year to the day.  I am not, in general a fan of poetry, but their correspondence and poems, when read together, are simply exquisite.  To be the prize…   (Sigh!)

    My favorite fictional romantic anecdote comes from Jane Austen’s Persuasion.  The letter written by Captain Wentworth to Anne Elliot is one of the most beautiful love letters.  “…You pierce my soul.  I am half agony, half hope.  Tell me not that I am too late, that such precious feelings are gone for ever.  I offer myself to you again with a heart even more your own, than when you almost broke it eight years and a half ago….”   The ultimate second-chance-at love story.  Who could possibly resist?

    What is your favorite romantic quotation or anecdote? 

    It is easy to enter the giveaway; just leave a comment for a chance to win!  The giveaway will close on February 16,  and the winner will be drawn by February 20, 2013.  I will post the name of my winner on this blog.  (Please leave contact information if you want to receive an e-mail!)   The prize will be a signed hardback copy of HEYERWOOD: A Novel, with some special surprise treats to enjoy with it.   This giveaway is open to the US, Canada, UK and Europe. 

    Cover for HEYERWOOD a novel

    Be sure to enter on each blog for a chance to win the prizes.   Visit each of the blogs featured, so that you won’t miss out!  The list of participants follows:

    “Queen Sarah”

    Best known as one of the feared Lady Patronesses of Almack’s, she was born Sarah Sophia Fane in March 3, 1785, the eldest daughter of John Fane, the 10th earl of Westmorland, and his wife Anne Child (or Sarah Anne Child), the only child of the banker, Robert Child. Disapproving of the marriage because Anne eloped at age 17 to Gretna Greene in 1782, with John Fane, her father Robert Child changed his will so that his estate would bypass her and go to either her second son or her eldest daughter.   Robert Child died the same year of his daughter’s marriage, so Sarah Sophia was born an heiress.  There is no indication of what Sarah Sophia’s relationship with her parents or siblings was.  Her mother died when Sarah Sophia was eight. 

    Sarah Sophia married George Villiers, Viscount Villiers, on May 23, 1804, at home in Berkley Square.  However, there were several hints of an elopement to Gretna Green for her.  Many of the sources I found were careful not to cite the place of marriage.  (This may be a result of confusion with her mother, both being named Sarah.  It is also possible that Sarah Sophia and George did elope but also had a ceremony to satisfy family or convention.)  By all accounts, she held him in great affection.  George became the 5th Earl of Jersey and 8th Viscount Grandison in 1805. Sarah Sophia had inherited the Child fortune and property, including Osterley Park, at birth, and took control when she came of age in 1806. In an age of women as chattels, Sarah was unique in that her inheritance made her the senior partner of Child & Co., a position she held for over 60 years.    She took an active interest in the bank, visiting the premises, checking profit and loss statements, and intervening in employee issues.  The couple had five sons and three daughters, seven of whom survived to adulthood.

    Sarah Sophia, also known as Sally, became a leader of the “Ton”, and wielded a great deal of influence in Society. Sarah Sophia was considered a great beauty.  She made a name for herself by being extremely rude and behaving theatrically. She chattered incessantly, acquiring the nickname of “Silence.” Determined to stand apart from her mother-in-law, the scandalous Frances, Lady Jersey, who was mistress of the Prince of Wales, Sarah Sophia made a great show of personal virtue, although she apparently throve on gossip. In spite of her affectations, she appears to have been regarded with affection by many of her peers.   In a letter written in 1816 to her brother, General Alexander Beckendorf, Princess Lieven described Lady Jersey as one of her “most intimate friends.”  (Princess Lieven also said in a later letter to Prince Metternich that “…Lady Jersey has the most dangerous tongue I know.”  Written in 1823, it would appear that there had been a falling out.)  Although she called herself Sally, one of her nicknames in Society was “Queen Sarah.”  When Lady Caroline Lamb published her novel GLENARVON in 1816, Lady Jersey was supposedly the inspiration for the character of Lady Augusta.  As a result, “Queen Sarah” banned Caroline from Almack’s, effectively ending Caroline’s social career. 

    Sarah Sophia and her husband entertained at their home in Berkley Square, and Middleton Park in Oxfordshire.  They seem to have spent little time at Osterley Park in Middlesex.  Sarah Sophia is supposed to have introduced the Quadrille to Almack’s in 1815. She was a noted political hostess for her husband, who legally added the name of Child in 1819 to become George Child-Villiers, Earl of Jersey. An avid hunter and racing aficionado, her husband held offices in the households of William IV and of Queen Victoria.  Sarah Sophia was interested in politics, and not shy about expressing her opinions.  She apparently switched from Whig to Tory views by the 1820’s.  She supported Queen Caroline against George IV when he tried to divorce Caroline, wearing a portrait of Caroline in public.   Sarah  Sophia also spoke openly against the Reform Bill of 1832. 

    George died October 3, 1859, followed shortly by their eldest son.   Her grandson (her oldest son’s son)   inherited the title.  After her husband’s death, she continued to entertain and take an interest in what was going on around her, especially charitable concerns including the establishment of schools on the family estates to assist tenants and laborers.  She died of a ruptured blood vessel, according to her obituary, at Berkley Square on January 26, 1867, at age 81, outliving her husband and six of her seven children.  Both Lord and Lady Jersey were buried at Middleton Stoney, Oxfordshire.

    Lady Jersey’s fame lived on after her, and she appears in Regency romance novels by many authors, including Georgette Heyer,  frequently as a character.  She will also be seen in my upcoming novel, due out later this year.

    [This is an expansion of some information I posted on Goodreads on Oct. 20, 2011 in the Historical Info for Historical Fiction Readers group.]

    Gronow, Captain Rees Howell.  Reminiscences of Captain Gronow. Originally published 1862: Smith, Elder & Co., London; republished by IndyPublish.com, McLean, VA.

    Quennell, Peter, ed. The Private Letters of Princess Lieven to Prince Metternich 1820-1826.  1938: E. P. Dutton & Co. Inc. NY. (P. 283)

    Robinson, Lionel G.  Letters of Dorothea, Princess Lieven, during her Residence in London, 1812-1834. 1902: Longmans, Green, and Co. London. (P. 29)

    “Child & Co, Bankers of London.”  http://www.hypatia.demon.co.uk/ost2006/historical_bank.html  

    Find A Grave. “Sarah Sophia Fane Child-Villiers.”  http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=91951396

    “Osterley Park– A Brief History.”   http://www.hypatia.demon.co.uk/ost2006/historical_brief.html  

    One London One blog.  “The Death of Lady Jersey in 1867.” By Kristine Hughes and Victoria Hinshaw.  Posted March 3, 2012. http://onelondonone.blogspot.com/2012/03/death-of-lady-jersey-in-1867.html

    The Peerage Online.  “Lady Sarah Sophia Fane.”  http://www.thepeerage.com/p2703.htm

    RBS Heritage Online. “Sarah Sophia Child-Villiers.” http://heritagearchives.rbs.com/wiki/Sarah_Sophia_Child-Villiers

    Regency History.  “Lady Jersey (1785-1867).” By Rachel Knowles, posted Nov. 4, 2011.  http://www.regencyhistory.net/2011/11/lady-jersey-1785-1867.html

    A Web of English History.  “Sarah Sophia Child, Lady Jersey, 1785-1867.” Dr. Marjory Bloy.   http://www.historyhome.co.uk/people/jersey.htm       

    Image: from Wikimedia Commons- Sarah Sophia Child Villiers, Countess of Jersey (née Fane) (1785-1867) by Alfred Edward Chalon, painted in the first half of the 19th century. http://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Sarah_Sophia_Child_Villiers%2C_Countess_of_Jersey_%28n%C3%A9e_Fane%29_%281785-1867%29%2C_by_Alfred_Edward_Chalon.jpg/361px-Sarah_Sophia_Child_Villiers%2C_Countess_of_Jersey_%28n%C3%A9e_Fane%29_%281785-1867%29%2C_by_Alfred_Edward_Chalon.jpg