10/12/2021 Updates from my writing cave

I’ve been reading old newspaper articles from the British Newspaper Archives set in 1813. I’m working on a non-fiction book about seven women who were powerhouses in Regency-era England, and have been looking for details about their various lives and activities. When writing anything set in Regency-era England, it is difficult to avoid the Season in London. Many of us read novels about the social activities of members of the highest level society, and try to imagine what it must have been like: glamorous, romantic, magical. The popularity of Jane Austen’s novels and their adaptations have fueled this interest. When I ran across several articles about balls and other social events, it gave me a different view of what holding a major ball actually entailed for the hosts.

On a winter night in early 1813, a ball was held in a mansion in Mayfair. The bare outlines of the events were these: approximately 500 guests starting arriving about 10:00 that evening, dancing commenced at 11:00, supper was held at 2:00 in the morning (Tuesday morning), after which dancing resumed until 5:00. The last guest departed at 6:00 in the morning. That is an 8-hour party. While one realizes that many of the guests probably came and went throughout the evening, one must presume that the host and hostess, at a minimum, were there all night long. This doesn’t take into account last minute activities earlier in the day: checking arrangements with staff, getting dressed, etc. Even with a full roster of servants at the ready, this must have been an incredibly long and exhausting event, as the host and hostess must have been constantly on the watch to be sure all went as it should: guests properly entertained and served, unexpected tensions smoothed, and indiscretions (or outright scandals) avoided. Somehow not quite the glamorous, care-free event one envisions…

Although the back-breaking labor of preparations and clean up was performed by servants, the host and hostess had the ultimate responsibility for the successful entertainment of their guests. No small endeavor, especially as social occasions of this nature were more than just fun. A ball of this nature advertised one’s status in the world not only for one’s self but one’s family in general. Its success (or otherwise) could affect reputations. Social events of this nature were also used for other matters, including discreet meetings of political colleagues, who were also frequently members of the same social set, and families considering judicious marital alliances to advance the respective families’ interests. Many issues and concerns simmered under the surface of what, at first glance, was an evening of entertainment. An event of this nature, then, became as much a serious business campaign as a social occasion.

The Next Dance by George Goodwin Kilburne (Wikimedia Commons-Public Domain) https://commons.wikimedia.org/wiki/File:George_Goodwin_Kilburne_The_Next_Dance.jpg

On a completely different note, don’t forget that Books at the Beach is coming up in Clearwater, Florida from October 21-October 24. Lots of authors will be there, and it promises to be a fantastic book festival. Unfortunately, I will not be there, but recommend it highly. Visit Eventbrite for ticket information here: https://www.eventbrite.com/e/books-at-the-beach-2021-tickets-131262115521?fbclid=IwAR2K_5BGTZLWCJDlHzZZMz1i3eVQnpOUpaMELX0NOMsfU4sRUjCqmUMzhjg

An Amiable Wife

My post on Anne Law, Lady Ellenborough, is up for viewing on the English Historical Fiction Authors Blog.

As a female, I cannot help being interested in the lives of women of earlier times.  Finding information about some is easy, thanks to published letters and memoirs, newspaper archives, and (because of their own personal status or accomplishments or notoriety) even biographies.  With others, it is a challenge, and we may find ourselves finding that little data is available, and that as side details provided in the information related to a father, husband or other male relative.  One such lady is Anne Law, Lady Ellenborough.  The November/December issue of JANE AUSTEN’S WORLD magazine included a reference to her in “What Made The News in November & December 1812” that caught my attention. 

To read more about her, visit the blog at: https://englishhistoryauthors.blogspot.com/2020/12/an-amiable-wife.html#comment-form

Jane Austen and Marriage

Das Ehesakrament by Pietro Longhi c. 1755 via Wikimedia Commons

Thanks to movies and television, Jane Austen’s novels, especially PRIDE AND PREJUDICE and PERSUASION, are synonymous with happy-ever-after. Many love her works as romantic courtship novels. Ironically, Jane Austen has also been embraced as a feminist author, thanks to her subtle criticisms of male-dominated education and economics, and her personal unmarried state. In recent years, speculation on her personal love life and reasons for her failure to marry has generated a variety of novels and movies as well. The fact remains that marriage is a central point of her novels. There is a conflict common in all of her novels, again especially visible in PRIDE AND PREJUDICE: marriage as a romantic state versus marriage as a means of financial support. This conflict was present throughout Austen’s life, and was the dichotomy for gentlewomen of her time. On one hand, Romantic thought required a marriage based only on mutual love, a one-time event. On the other hand, reality saw many women propelled into marriage solely for financial support. The same reality forced many widows into remarriage, regardless of their desires. A shortage of eligible males and women’s vulnerability to changes of status exacerbated the situation.

Jane Austen knew that marriage did not provide a guarantee of financial security. Money was lost, as in brother Henry’s bankruptcy. (Mrs. Smith in PERSUASION epitomized a woman’s vulnerability when a family fortune was decimated.) Inheritance laws distributed assets, resulting in distress, as illustrated by Mrs. Bennet’s obsession with the entailment that would result in Mr. Collins’ inheriting Longbourn when Mr. Bennet dies. There was no assurance that family members would aid an unattached female. Romantic fervor did not always last. A rise of divorce, particularly well-publicized in Austen’s time as it was still an expensive rarity, showcased a woman’s vulnerability in marriage. High society divorces occurred, such as that of Lord and Lady Worsley, in Jane Austen’s lifetime, and she was aware of them. In SENSE AND SENSIBILITY, Colonel Brandon disclosed the sad fate of his first love to Eleanor: an heiress forced into an unloving marriage with his elder brother, mistreated, seduced, ultimately divorced and left with inadequate means of support despite her personal fortune (which remained in her husband’s hands), leading to her complete ruin.

I believe that Jane wanted to be married. However, her definition of marriage seems to have been very specific: a union of shared tastes and interests, mutual affection and mutual respect. Neither financial security nor romantic love (or infatuation) individually was enough. PRIDE AND PREJUDICE contained multiple examples of marriages that were unhappy because the partners were unequally matched in terms of education, interests, respect, infatuation that cooled or other circumstances. Mr. and Mrs. Bennet’s relationship was the classic portrait of unequal marriage: her pretty face and flirting caught the eye of an educated young gentleman. His disillusionment, loss of respect and withdrawal from his wife had an extremely damaging effect on their children. (The differences between Jane and Lizzie (early products of the marriage), and Mary, Kitty and Lydia (later products of the search for a son and heir) showed the deleterious effect on the family as a whole of Mr. Bennet’s disenchantment with his wife ).

The marriage of Charlotte and Mr. Collins highlighted another unequal match: her need to find a place with a modicum of security so she would not be a charge on her brother or father led her to coolly pursue marriage to a singularly unsatisfactory man. Her superiority of taste and thought versus his foolishness did not lead to disillusionment for Charlotte but resulted in a constant effort to find satisfaction in her own abilities to counter the loneliness and frequent humiliation she experienced in her life with Mr. Collins. Lydia and Wickham was the ultimate mismatched couple, with no hope of any real comfort. Their marriage was the outcome of an elopement propelled by her giddy infatuation with the military and his taste for debauchery, and only occurred because Mr. Darcy had the means to compel Wickham to marry Lydia. They had no real affection for each other, no home or significant money of their own and no welcome from family or friends. Lydia had no significant hope of security (she had no internal or financial resources of her own, and Wickham’s unsteadiness and lack of a stable profession other than the military left them living on the edge of disaster).

Other novels in Ms. Austen’s body of work contain examples of unequal marriages as well: Sir Thomas and Lady Bertram in MANSFIELD PARK, and Charles and Mary Musgrove in PERSUASION are only a couple of examples. In PERSUASION, Lady Russell was in no hurry (or was possibly unwilling) to change her widowed state which allowed her full control of her life and her funds. Certainly, she showed no interest in pursuing Sir Walter Elliot. In her Juvenilia, “Catharine or the Bower” in Volume the Third contains the story of a young lady who, against her personal inclinations, went to India to find a husband and was “Splendidly, yet unhappily married.”* (This story is based on her own family experience, as her aunt Philadelphia, her father’s sister, went to India and was married there.)

Jane Austen withdrew into premature spinsterhood, reluctantly yet almost with relief. Was it due to the loss of an early love, or a strong-willed desire to control her own destiny? Were there other factors? Jane advised her niece not to marry without affection. Her novels show the pitfalls of unequal, unloving or imprudent marriages, and the merits of marriages that combine affection, shared tastes and other benefits. Her heroines achieved the ideal state of being married happily and advantageously. However, her novels seem to contain more illustrations of the less satisfactory relationships than the happy ones. While the characters and circumstances involved in these less-than-happy marriages added greatly to the entertainment factor of the stories, one can’t help but see a warning of the dangers of marriage entered into lightly or for the wrong reasons.

With her family’s support and encouragement, Ms. Austen enjoyed writing and earning her own money. She was proud of her work and very interested in the financial reward of it. She saw women’s need for improved education and the ability to provide for their own support. Her sharp wit and keen observations were, and are still, admired. We should also consider her emotions as a girl and young woman, and how those emotions affected her writing. Did she truly feel a “splendidly engaged indifference”*. to marriage, or was she making the best of her unmarried state? When Mr. Bigg-Wither proposed in December 1802, he offered Ms. Austen a comfortable life in a family she knew and liked; his sisters were close friends. However, she did not particularly like or admire him personally. She accepted, and then withdrew her acceptance the next day. Her acceptance shows she was aware of the advantages that marriage to Mr. Bigg-Wither offered; her withdrawal shows that she valued respect and esteem more.

Jane Austen evolved from a girl dreaming of marriage into a determined spinster unwilling to settle for second best, as shown in family records, her letters and her novels. In PERSUASION, Anne Elliot defined good company as “the company of clever, well-informed people, who have a great deal of conversation….”*** In my opinion, the character of Anne Elliot and this quote in particular reveal Jane Austen’s personal views and desires regarding relationships in general and marriage in particular most clearly. Jane was a woman of her time, a realist, who understood her family’s situation. She was also a woman of feeling, in a loving family. Choice as well as circumstances led to her decision to stay a spinster. Her wit and observations gave her writings humor, while her emotional growth allowed her to combine the sparkle of youthful hope, the caution of experience in adulthood and the wisdom of maturity in her stories.

Notes:

*Chapman, R.W., ed. MINOR WORKS The Oxford Illustrated Jane Austen Vol. 6. 1988: Oxford University Press, Oxford, p. 194.
**Walker, Eric C. MARRIAGE, WRITING AND ROMANTICISM Wordsworth and Austen After War. 2009: Stanford University Press, Palo Alto, CA, p. 226.
*** Chapman, R. W., ed. NORTHANGER ABBEY AND PERSUASION The Oxford Illustrated Jane Austen Vol. 5. 1988: Oxford University Press, Oxford, p. 150 of PERSUASION.

The Duke of Wellington’s Wife

(This is a reblog of comments I made on Goodreads 9/20/2011 in their entirety.)

Original engraving of Catherine Wellesley, wife of the Duke of Wellington, by J R Swinton, circa 1850 from early sketch circa 1810

I think all of us are familiar with the Duke of Wellington, hero of India, the Peninsular Wars and the victor at the Battle of Waterloo. However, little acknowledgement is paid to his wife.

Her name was the Honorable Catherine Pakenham, known as “Kitty.” She was born in January 1772 in Ireland at Pakenham Hall, and was a distant connection by marriage of Arthur Wesley (before the family name was changed to Wellesley”, who was also in Ireland. Kitty was small, slender, with grey eyes, curly hair and a beautiful complexion. She was very high spirited, and stubborn, with a willingness to argue her point to exhaustion. She was very popular and had many admirers, including young Arthur. By all reports, Kitty was very kind and impulsively generous. She loved gossip, and could never keep a secret, which led to accidental exposure of information. She professed high principles, honesty, and high standards of behavior, and was not tolerant of others’ lapses.

Arthur Wesley’s courtship of Kitty began in 1790. He proposed twice: the first time in 1792, which was turned down by her family and again in 1794 which was also turned down. Kitty’s father lectured young Arthur on his need to improve himself and his prospects. Subsequently, young Arthur went into Parliament and subsequently back into the military. (One could wonder how much his disappointment over Kitty pushed him to make these moves.) He was away 12 years, during which period he had no direct contact with Kitty. She continued with her normal life at home, with at least one serious beau (his courtship came to nothing, because Kitty loved Arthur and was waiting for him).

Friends wrote to Arthur, particularly Olivia Sparrow, and he indicated that his feelings were unchanged and he still wanted to marry Kitty. Kitty was getting older, and becoming very nervous and anxious about the situation, especially wondering if Arthur would still want her when he saw how she’d changed. He returned to Ireland, this time successful and financially established, and, in October 1805, wrote to her brother for permission to marry Kitty. This time, Kitty’s family approved and they were married 4/10/1806. The lengthy settlement negotiations were not concluded until after their marriage, finally signed in August. After their marriage, he plunged straight back into his work, setting a pattern for their marriage in which she took a back seat to his career.

At this point, you have two people of completely different character, separated for 12 years, who have made a lifetime commitment after just a few months’ reacquaintance. Both had changed significantly: he was successful, confident and dominating. She had changed from a pretty, confident belle, to a 30-year old, somewhat spinsterish woman who was no longer sure of herself. Not surprisingly, Kitty felt neglected and complained to family and friends. As these reports circulated, they were used by Arthur’s political enemies, the Whigs, in attacks on him. This lack of discretion and its results in turn aggravated him and made him doubt her loyalty.

In 1806, Kitty was pregnant with their first child, and spent most of her time without Arthur, who was preoccupied with his work. He did write, but was very emphatic about expenses and the need for control. Kitty was not forthcoming about bills and costs, and her lack of honesty and control over household expenditures angered him. Since Kitty had impressed him with her strength of character and principles as a very young girl, whom he had idealised, it was difficult for him to recognize and accept the reality of the woman he married. (It must be said that the Arthur Kitty had loved for so long was a younger, less confident man, without the experience and success of the rather stern and authocratic man who returned to her. She was nervous of and afraid to confront him.)

Their personal communication was also difficult. Arthur was accustomed to the society of military men. Kitty had remained in her normal family and social life. He was no longer accustomed to chat, discussions of social activities or family trivia. She was unable to join in the conversation when his military or political colleagues came to call. In short, they had little to talk about together.

Their first son, Arthur, was born 2/3/1807. At the time of the child’s birth, Arthur was away hunting. Letters from him during this time make no mention of the child. Arthur was appointed to a political post in Ireland, and went ahead, leaving Kitty and their child in London. They finally joined him in May of 1807. She became pregnant again in 1807. Arthur spent a great deal of time socializing and hunting without her. Their second son was born in January of 1808. Somewhere during this period, Kitty apparently loaned her brother Henry a significant sum of money from the housekeeping funds, which resulted in bills not being paid.

In the spring of 1808, Arthur was in London. He was promoted to lieutenant-general, and it was nearly certain he would command an expedition to Portugal. In a letter written to the Duke of Richmond June 4th, he specifically states that the subject should not be mention to Kitty until things were positive. This is significant, as it shows a pattern he established, of not telling Kitty anything until the last possible moment, to avoid gossip, discussion and argument. He went in July 1808, had a victory at Vimeiro, and was recalled to England. He returned to Ireland at the end of October 1808, and spent the rest of the year deeply engrossed in plans and work.

In late January 1809, they were closing the house in Ireland to move back to England permanently, and Arthur insisted all of the bills be paid. At this point, the truth came out and Kitty had to explain and provide detailed accounts. Ultimately, Kitty’s deception and Arthur’s discovery of it put the final seal on his disillusionment. Her concealment of the situation and poor excuses demonstrated a lack of moral courage that was completely foreign to him, and showed him that she was not the person he had thought he had married. He never trusted her again.

In the spring of 1809, Arthur left for Portugal and the Peninsular Wars, and did not return for five years. He forbade her to take the children to Ireland. He did write, but told her very little, and nothing of signficance. She angered him again by requesting information from other people, which he felt implied his inadequate attention and he considered disloyal. Her life was very routine and dull: taking care of her sons, and other children, sewing, making shoes (a hobby she took up), reading extensively, music and so forth. She became very bored and depressed. Her household accounts were a nightmare for her-she was kind-hearted and easily imposed upon. His military discipline caused Arthur to view her inadequacy in this respect as a serious offense whenever money problems arose. Kitty was not shy, and did enjoy social life, but she did not enjoy public functions and avoided them-she was married to a famous hero who never took leave to come home and seldom wrote; how could she answer questions about him, when she had no information unless she read something about him in a newspaper?

It is important to note that, while he was away, Arthur was not faithful to Kitty, supposedly from shortly after their marriage. He was very sociable, enjoyed hunting, parties and so forth, and he liked women. He was the subject of a great deal of gossip. (Just two of his escapdes: involvement with the famous courtesan Harriette Wilson in London, and in Brussels at the time of Waterloo,rumors about him and Lady Frances Webster Wedderborn.) Kitty made it a rule never to believe any gossip or negative reports against him, and maintained this her whole life.

Arthur finally returned to England 6/23/1814 as the Duke of Wellington, and took her to Paris with him as ambassadress, but never reposed trust or confidence in her. It is very ironic as Arthur was known as a kind and loyal man, quick to anger but quick to get over it; however, he was completely unforgiving of his wife. Kitty, for her part, never learned either; she ran into debt, and concealed her debts by borrowing. She occupied herself with raising her children, and other children of family members, and spending time with family and friends. She tried please Arthur and to build some kind of home with him. Her later years were spent at their house in Hampshire, at times in isolation. Kitty died in 1831.

Arthur never got over his disappointment in her. He seemed to feel that his marriage to her was a weakness or personal failure, which he just could not accept. In later years, he blamed his marriage on the undue influence of others.

There is information on line about Kitty Wellesley, Duchess of Wellington. A detailed work about her is A SOLDIER’S WIFE: WELLINGTON’S MARRIAGE, by Joan Wilson (1987: George Weidenfeld & Nicholas Ltd, London), from which I got a lot of information for this post.

Original Goodreads post: https://www.goodreads.com/comment/index/86909608
Image from Wikimedia Commons

Introducing THE RUSE by Felicia Rogers

It’s Christmas time, and books make fantastic gifts. Author Felicia Rogers is offering a holiday special of her novel, The Ruse, just in time for a last-minute gift, or for one’s self if looking for something to read when it’s too wintery outside! Felicia is a new author for me as well-we’re all for a treat! She has provided the post below-take a look…

The Ruse, Andrews Brothers, Book One

The Ruse

The fix is in…but her heart can’t be fooled.

Luke Andrews, Baron of Stockport, is in trouble. He needs a wealthy bride to secure future funds for his financially shaky estate, but the belle of the London season is a spoiled terror with an arrogant father. They’d try the nerves of a saint and Luke can’t quite bring himself to make an offer he knows he’d regret.

Meanwhile, Luke’s half-brother Chadwick never could resist a good game of Faro, or anything else, for that matter. With the baron away, Chadwick will play — gambling the estate’s remaining funds into oblivion. He needs to devise his own scheme to replace the money he’s lost, before his brother returns.

In Stockport village, Brigitta Blackburn doesn’t have two sticks to rub together — literally. With the estate in financial distress and rents high, food and wood are scarce. When she sneaks onto the baron’s land to steal some firewood, she’s caught, hauled before the play-acting “baron,” Chadwick, and offered a solution to her plight… and his.

But Chadwick’s ruse embroils them all. How can Brigitta accept what she thinks to be true, when she really yearns to follow her heart?

–a traditional Regency novel

Buy it Now:
Amazon: http://tinyurl.com/lkdksyd
Amazon UK: http://tinyurl.com/lt2lwkn

On sale for 0.99 from Dec. 24th to Dec. 29th!!!

****

See what one reader said about The Ruse:

By Kivey on Amazon: I honestly LOVED this book it was so awesome. Luke is a hunk and his brother well you all will see if you read it :). This book was very suspenseful. I was on the edge of my seat and laughed the heroine is just sooooo spunky. She is truly one heroine I wouldn’t want to mess with.

Excerpt:
Fountains bubbled and birds landed in the baths. Luke took the long trail and walked by the fishing pond and hunting grounds. A rock jutted out from the mountain and Luke paused, blocking the sun from his face.
From his high perch, the ruins of Stockport Castle tumbled across the green below. He remembered being a lad and staring at the ruins while holding tightly to his father’s hand. His father’s vivid descriptions had almost made him feel as if he’d walked through the hallowed halls that lay destroyed.
Reality of how things that stood the test of time could still plunge into nothingness gnawed at his innards and he wished his father was around to offer wisdom.
Downhearted, he shoved his hands in his pockets and turned. Upon approaching the manse, he knitted his brows. A line of people gathered. Behind them, carriages lined the road almost as far away as the village.
He strode toward the crowd and joined them. Raindrops fell and he tugged his top hat lower. The throng groaned and waved umbrellas aloft. Before them the manse doors parted and they entered the east wing of the estate.
Tourists dressed in fine frocks with plumed hats filed into the main room, staring avidly about at his home. An individual Luke had never seen acted as a guide, lifting his hands and pointing at one side of the curved staircase. There a woman of refined grace descended.
The guide announced, “Introducing Baroness Stockport, Brigitta Andrews.”
Luke blinked rapidly as the woman turned, smiled, and waved. The crowd returned her actions. She continued to descend until she reached the landing, where she stopped.
From the opposite set of stairs, his half-brother Chadwick, dressed in regal attire, descended. The red coat emphasized his broad shoulders, which he held back. His face scrunched, he didn’t look at the crowd, but instead focused a look filled with unrequited hatred toward the woman on the landing.
The guide lifted his hand toward Chadwick and said, “Introducing the Baron of Stockport.”
Luke covered his gasp and huddled deeper into his coat. What is the meaning of this?
Before any further thoughts could drift through Luke’s mind, Chadwick stopped in the middle of the stairs and shouted, “And just what do you think you’re wearing?”
The woman bristled. “I’m wearing the yellow today, my lord.”
“The yellow? Blah. I’ve told you I detest yellow. Get thee upstairs and change this instant.” He pointed his finger above and the lady cocked a brow and glared.
“You will not tell me what to do! I’m the baroness and I can do as I please. If I want to wear yellow, then I shall wear yellow!”
Chadwick didn’t waver and Brigitta hitched her skirts and ran upstairs. Chadwick faced the crowd and apologized for his wife’s behavior before casually turning on his heel and leaving himself.
Shocked, Luke blindly followed the crowd. The guide led them through the entire east wing. They studied the wall of family portraits, swooned over the ancient family heirlooms, and ended with a riding tour of the grounds.
With each new sight his ire increased. While he’d been strangled initially by feelings of cold, blind rage, the trip on horseback through the grounds cooled his temper and now he was naught but confused.
The event ended and the visitors left in their carriages. Discreetly, Luke sneaked into the house through a downstairs window and raced on tiptoe to his chambers. He sat at a desk and pondered until his head ached. Finally, he pulled the servant’s rope that led directly to his personal valet’s room. He paced, his mind jumbled with nonsensical thoughts. The door opened and he blurted, “Jarvis, I have a problem.”
The valet entered and closed the door. A blank stare covered his face as he blurted, “My lord, we weren’t expecting you. Welcome home.”
“There is something foul at play here.”
Jarvis squinted, lifted his nose, and sniffed.
“Not an odor, Jarvis.”
He lowered his chin. “Excuse me, your lordship, but I fail to understand your meaning.”
Without pretense, Luke said, “In the east wing, Chadwick is pretending to be me!”
“Are you sure?” asked Jarvis, his voice lending to a squeak.
He rounded on the servant. “Yes, I’m sure! They called his name as the Baron of Stockport and last I checked that was me!”

Buy The Ruse on Amazon: http://tinyurl.com/lkdksyd
Buy The Ruse on Amazon UK: http://tinyurl.com/lt2lwkn

ROMANCE AUTHOR
Felicia Rogers

Felicia Rogers

Felicia Rogers is an author of eight novels and two novellas. When she’s not writing, Felicia volunteers with the Girl Scouts of America, teaches at a local homeschooling group, hikes, and spends time with her family.

To find out more information about Felicia Rogers use the links below. She loves hearing from readers.

Website: http://www.feliciarogersauthor.weebly.com
Facebook: https://www.facebook.com/FeliciaRogersAuthor
Email: feliciarogersauthor@yahoo.com
Goodreads: http://www.goodreads.com/FeliciaRogers

Sheer Delight…

Recently, I read a blog post about a book titled, Mrs Hurst Dancing & Other Scenes from Regency Life 1812-1823. I had never heard of this book, so I ordered it. I am so glad I did!

My copy of Mrs Hurst Dancing & Other Scenes from Regency Life 1812-1823
My copy of Mrs Hurst Dancing & Other Scenes from Regency Life 1812-1823

This is a collection of watercolor paintings by a young woman named Diana Sperling, with text by Gordon Mingay and a foreward by Elizabeth Longford. Diana was clearly one of those accomplished young ladies one reads about in Jane Austen, and Regency novels in general. (It’s important to note that the Mrs. Hurst of the title is a real Mrs. Hurst, not Caroline Bingley’s sister in Austen’s Pride and Prejudice!)

These paintings have so much humor and life. It has given me an entirely new perspective on this facet of young women’s education. Somehow, I never thought of the use of drawing and painting pictures as a way to record family life. Diana’s pictures include captions (most by her), and give a wonderful view of her life in a country home. In a way, sitting down with this book is not unlike sitting down with a friend’s scrapbook or photo album today. So often, my view of the late Georgian/Regency period is shaped by portraits of the rich and famous (or infamous!), or prints lampooning those same people. This is a lovely, human look at the life of a real family in a comfortable country home. The text is most enjoyable, filling in the details so we know who is portrayed and what’s going on.

It turns out that there have been a number of blog posts about this book in the last few years. (How did I miss them??) I can’t remember whose blog I read that steered me to this book, but I wish I could thank that author. This is not only a delightful, entertaining read, but an excellent reference as well. I highly recommend this book!

Details: ISBN 0575030356 London: Victory Gollancz Ltd., 1981. I found it on Amazon.com.

Summer Banquet Blog Hop

summer-banquet-hop-copy  Picture

A SUMMER BANQUET: A Regency Picnic

During the summer months, we tend to go for lighter fare, and (whenever possible) to eat outdoors. The picnic was just as popular in England during the Georgian and Regency periods, as illustrated by the picnic at Box HIll in Jane Austen’s EMMA. Using Eliza Smith’s The Compleat HOUSEWIFE cookbook, we can pull together a delightful summer banquet for outdoors. The bills of fare for May, june, July and August provide plenty of ideas.

For the first course, along with a “Grand Sallad”, some “Roasted Losbsters”, “Fruit of all Sorts,” “Gooseberry Tarts”, and “Fish in Jelly” sounds delicious. The second course should include some cold ham and chicken, a dish of “Fish in jelly” and a “Pigeon Pie”. For both courses pickled asparagus and pickled slice cucumbers make tasty garnishes. Removes could include a “Potatoe Pie”, some strawberries or raspberries, and “Morello Cherry Tarts.”

To make a “Pigeon Pie”, you start with a two-crust pastry. After that, Mrs. Smith says “Truss and season your pigeons with savory spice, lard them with bacon, stuff them with forc’d mean, and lay them in the pye with the ingredients for savory pyes, with butter, and close the pie.” (Savory spices include salt and pepper, nutmeg, and mace. Herbs such as thyme, marjoram, parsley, or savory could also be added, with a shallot or onion.) When the pie is done, pour a Lear into the pie. A Lear is a sauce or gravy. Mrs. Smith instructs “Take claret, gravy, oyster-liquor, two or three anchovies, a faggot of sweet-herbs and an onion; boil it up and thicken it with brown butter, then pour it into your savory pyes when called for.” Savory pies such as pigeon pie can be eaten hot or room temperature or cold.

SUMMER BANQUET BLOG HOP GIVEAWAY

Summer is the perfect time to sit outside with a book. I am giving away a signed paperback copy of my book HEYERWOOD: A Novel to a winner in the U.S. or Canada. Just leave a comment for a chance to win (be sure to leave a contact e-mail)! This drawing will close at midnight on Friday, June 7, 2013, and a winner will be announced as quickly as possible. Good luck!

This blog hop will appear from June 3-June 7, 2013. Please visit all of the participating authors for more summer fun!

Hop Participants:

1.

  • Random Bits of Fascination (Maria Grace)
  • 2.

  • Pillings Writing Corner (David Pilling)
  • 3.

  • Anna Belfrage
  • 4.

  • Debra Brown
  • 5.

  • Lauren Gilbert
  • 6.

  • Gillian Bagwell
  • 7.

  • Julie K. Rose
  • 8.

  • Donna Russo Morin
  • 9.

  • Regina Jeffers
  • 10.

  • Shauna Roberts
  • 11.

  • Tinney S. Heath
  • 12.

  • Grace Elliot
  • 13.

  • Diane Scott Lewis
  • 14.

  • Ginger Myrick
  • 15.

  • Helen Hollick
  • 16.

  • Heather Domin
  • 17.

  • Margaret Skea
  • 18.

  • Yves Fey
  • 19.

  • JL Oakley
  • 20.

  • Shannon Winslow
  • 21.

  • Evangeline Holland
  • 22.

  • Cora Lee
  • 23.

  • Laura Purcell
  • 24.

  • P. O. Dixon
  • 25.

  • E.M. Powell
  • 25.

  • Sharon Lathan
  • 26.

  • Sally Smith O’Rourke
  • 27.

  • Allison Bruning
  • 28.

  • Violet Bedford
  • 29.

  • Sue Millard
  • 30.

  • Kim Rendfeld
  • Princess Esterhazy: The “Bonne Enfant” of Almack’s


    Portrait of Prince and Princess Esterhazy with their children c. 1850

    She was born Her Serene Highness, Princess Maria Theresia, Hereditary Princess of Thurn and Taxis on July 6, 1794. Her parents were Karl Alexander, the 5th Prince of Thurn and Taxis, and Duchess Therese of Mecklenburg-Strelitz (a niece of the late English Queen Charlotte). She was their third child, and second daughter. Princess Maria Theresia was born in Regensburg, Bavaria. She maintained an attachment to the city of Regensburg throughout her life.

    Princess Maria Theresia was married to Crown Prince Paul Anthony Esterhazy III (date of birth March 11, 1786) of Galantha on June 18, 1812 in Regensburg, not quite 18 years old to his age26. The prince’s father, Prince Nicholas II, travelled extensively and had lived for some time in England. From an ancient Hungarian family, Prince Paul Esterhazy had begun a diplomatic career young, serving under Louis, Prince of Stahremberg, in London. He was apparently liked and respected in English society as well as in diplomatic circles. It seems Princess Esterhazy was already active in London society and established as a Patroness of Almack’s by 1814, so it is obvious that she plunged right in to the social mainstream. After attending the Congress of Vienna in 1814 with Metternich, where Princess Esterhazy was much admired, Prince Paul was appointed to the Prince Regent’s court in 1815 as Austrian ambassador, at the Prince Regent’s request.

    The youngest of the Lady Patronesses, Princess Esterhazy was an attractive young woman, based on the descriptions. She was apparently dark, plump, pretty and lively. Countess Lieven (later Princess) described her as “small, round, black, animated and spiteful”. She was very formal, and known to have a distaste for status seekers. Her love of ceremony and etiquette were attributed to her German background. As wife of the Austrian ambassador, Hereditary Princess of Thurn and Taxis in her own right, and connected with English royalty (cousin to Princess Charlotte, niece of the Duchess of Cumberland), Princess Esterhazy was at the top of the social strata from the beginning. Her knowledge protocol and of Austro-Hungarian, German and central European aristocracy would have been invaluable to her as a hostess for her husband.

    Princess Esterhazy’s youth, personal attractiveness, and connections put her into a position of influence, had she chosen to use it. Supposedly Countess Lieven felt Princess Esterhazy to be a threat to her own position, at least initially. Information about Princess Esterhazy as a spiteful person appears in Countess Lieven’s letters to Prince Metternich. Countess Lieven was known for her efforts to influence European politics in Russia’s best interests, and apparently feared that the Austrian ambassador’s young wife would attempt to compete with her on the political stage as well as in society. It’s interesting to speculate that her malicious comments about Princess Esterhazy were an underhanded way to undercut Prince Paul’s position as Austrian ambassador. Ironically, there is no reference to Princess Esterhazy having any interest in political maneuvering. According to the Memoirs of the Comtesse de Boigne, Princess Esterhazy missed her home and was bored in London.

    Princess Esterhazy was primarily associated with high society in her capacity as Lady Patroness of Almack’s. She was one of only two foreigners accorded this position (the other being Countess Lieven). As previously mentioned, she was a very high stickler. She was noted for her love of new dances, and was especially fond of waltzing. She was frequently partnered by Baron de Neumann, secretary at the Austrian Embassy.

    Prince and Princess Esterhazy had 3 children, two daughters and a son, Nicholas Paul. It is interesting to note that their son was born in Regensburg in 1817, and married Lady Sarah Frederica Villiers, the daughter of Lord and Lady Jersey.

    Her father-in-law passed away November 25, 1833, at which point her husband Paul became the 8th Prince Esterhazy of Galantha. Princess Maria Theresia’s full title became Princess Maria Theresia Esterhazy, Princess of Galantha, Princess of Thurn and Taxis. (The questions of lineage and title were apparently contributed to Countess Lieven’s dislike of Princess Esterhazy; her dislike appears to have been returned. When Count Lieven was made a prince in 1826, the now-Princess Lieven told Lord Grey that they were the only ones granted that title. Princess Esterhazy had no hesitation in showing her disdain for the Russian title, which did not endear her to Princess Lieven.) It is worth noting that the only source I found that dwells on Princess Esterhazy’s spiteful nature seems to be Princess Lieven.

    Prince Esterhazy served as the Austrian Ambassador from 1815 to 1818, and again from 1830 to 1839. Prince and Princess Esterhazy also ruled Galantha from his father’s death and returned there in 1842. The Prince was active in political affairs for the Austrian empire and for Hungary, serving briefly as minister of foreign affairs to the King of Hungary, trying to mediate between the two governments. He left public life completely when Austrian and Hungarian relations broke down in 1848. I have found little data of Princess Esterhazy’s life after leaving England or during the years in Hungary. Sources indicate that Prince Esterhazy (and, by extension, Princess Esterhazy) had spent beyond his means, and that his last years were made difficult by money problems. He died May 21, 1866 in Regensburg (Maria Theresia’s much loved home city), at which time their son Nicholas became Crown Prince.

    Princess Maria Theresia lived until August 18, 1874. She died in Huttledorf, Vienna, Austria. It is known that her son eased the family’s financial straits by selling the family’s famous art collection to the Austro-Hungarian Empire about 1870. Her rooms are the focus of an exhibition at the Esterhazy Palace in Eisenstadt, Austria. I requested more information about her from the Esterhazy Palace, but have yet to receive a reply. I will post an update with any additional information about her, when received.

    Sources include:
    Chancellor, E. Beresford. LIFE IN REGENCY AND EARLY VICTORIAN TIMES An Account of the Days of Brummell and D’orsay 1800 to 1850. London: B. T. Batsford, Ltd. 1926.

    Also by Chancellor: Memorials of ST. JAMES’S STREET and Chronicles of Almack’s. New York: Brentano’s, 1922.

    Charmley, John. The PRINCESS and the POLITICIANS Sex, Intrigue and Diplomacy, 1812-1840. London: Penguin Group, 2005. [This is actually about Princess Lieven, but talks about her issues with Princess Esterhazy.]

    Gronow, Captain Rees Howell. Reminiscences of Captain Gronow. London: Smith, Elder and Co. 1862. Reprinted by IndyPublish.com, McLean, VA.

    King, David. VIENNA 1814 How the Conquerors of Napoleon Made Love, War, and Peace at the Congress of Vienna. New York: Random House, Inc. 2008
    .
    Kloester, Jennifer. GEORGETTE HEYER’S Regency World. London: William Heinemann, 2005.

    Quennell, Peter, ed. THE PRIVATE LETTERS OF PRINCESS LIEVEN TO PRINCE METTERNICH 1820-1826. New York: E. P. Dutton & Co., Inc. 1938.

    Robinson, Lionel G., ed. LETTERS OF DOROTHEA, PRINCESS LIEVEN, during her Residence in London, 1812-1834. London: Longmans, Green and Co. 1902.

    Candace Hern’s blog. “Leaders of Society and the Demimonde.” Princess Esterhazy (1794-?) http://www.candacehern.com/regency.htm

    Unusual Historicals blog. “Fashionable People of the Regency- – Time for a Reassessment?” by Michelle Styles, posted 7/10/2012. http://unusualhistoricals.blogspot.com/2012/07/fashionable-people-of-regency-time-for.html

    GoogleBooks.com. An Irish Beauty of the Regency by Frances Pery Calvert (the Hon. Mrs.) Great Britain: John Lane, 1911. Page 341. http://books.google.com/books?id=_LA_AAAAYAAJ&pg=PA341&lpg=PA341&dq=princess+esterhazy+regency&source=bl&ots=VfO–gHncf&sig=dpn5TZy–v898ruToxfX9z2Q6pY&hl=en&sa=X&ei=jw0gUe6vCpT09gTfzYHQCA&ved=0CDIQ6AEwATgU#v=onepage&q=princess%20esterhazy%20regency&f=false

    GoogleBooks.com. Memoires of the comtesse de Boigne, Volume 2. (1815-1819). by Louise-Eleonore-Charlotte-Adelaide Osmond Boigne (comtesse de). M. Charles Nicoulaud. London: William Heinemann, 1907. http://books.google.com/books?id=6VUoAAAAYAAJ&q=The+diplomatic+body+paul+esterhazy#v=snippet&q=The%20diplomatic%20body%20paul%20esterhazy&f=false

    GluedIdeas.com. From “Chambers Encyclopedia 1880”, Vol. 5 Escitria to Fagging, ESTERHAZY entry. http://gluedideas.com/content-collection/chambers-5/Esterhazy.html

    ThePeearage.com. “Maria Theresia Prinzessin von Thurn und Taxis.” Person #32081. http://www.thepeerage.com/p32081.htm#i320810; “Pal Antal Furst Esterhazy von Galantha.” Person 320811. http://www.thepeerage.com/p32082.htm#i320811

    Wikipedia.com. “Princess Maria Theresia of Thurn and Taxis.” http://en.wikipedia.org/wiki/index.html?curid=25561257
    Image: Wikipedia Commons Prince Pal Antal Esterhazy and his Family c 1850 artist unknown http://upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Prince_P%C3%A1l_Antal_Esterh%C3%A1zy_and_his_Family_c._1850.jpg/595px-Prince_P%C3%A1l_Antal_Esterh%C3%A1zy_and_his_Family_c._1850.jpg

    “Queen Sarah”

    Best known as one of the feared Lady Patronesses of Almack’s, she was born Sarah Sophia Fane in March 3, 1785, the eldest daughter of John Fane, the 10th earl of Westmorland, and his wife Anne Child (or Sarah Anne Child), the only child of the banker, Robert Child. Disapproving of the marriage because Anne eloped at age 17 to Gretna Greene in 1782, with John Fane, her father Robert Child changed his will so that his estate would bypass her and go to either her second son or her eldest daughter.   Robert Child died the same year of his daughter’s marriage, so Sarah Sophia was born an heiress.  There is no indication of what Sarah Sophia’s relationship with her parents or siblings was.  Her mother died when Sarah Sophia was eight. 

    Sarah Sophia married George Villiers, Viscount Villiers, on May 23, 1804, at home in Berkley Square.  However, there were several hints of an elopement to Gretna Green for her.  Many of the sources I found were careful not to cite the place of marriage.  (This may be a result of confusion with her mother, both being named Sarah.  It is also possible that Sarah Sophia and George did elope but also had a ceremony to satisfy family or convention.)  By all accounts, she held him in great affection.  George became the 5th Earl of Jersey and 8th Viscount Grandison in 1805. Sarah Sophia had inherited the Child fortune and property, including Osterley Park, at birth, and took control when she came of age in 1806. In an age of women as chattels, Sarah was unique in that her inheritance made her the senior partner of Child & Co., a position she held for over 60 years.    She took an active interest in the bank, visiting the premises, checking profit and loss statements, and intervening in employee issues.  The couple had five sons and three daughters, seven of whom survived to adulthood.

    Sarah Sophia, also known as Sally, became a leader of the “Ton”, and wielded a great deal of influence in Society. Sarah Sophia was considered a great beauty.  She made a name for herself by being extremely rude and behaving theatrically. She chattered incessantly, acquiring the nickname of “Silence.” Determined to stand apart from her mother-in-law, the scandalous Frances, Lady Jersey, who was mistress of the Prince of Wales, Sarah Sophia made a great show of personal virtue, although she apparently throve on gossip. In spite of her affectations, she appears to have been regarded with affection by many of her peers.   In a letter written in 1816 to her brother, General Alexander Beckendorf, Princess Lieven described Lady Jersey as one of her “most intimate friends.”  (Princess Lieven also said in a later letter to Prince Metternich that “…Lady Jersey has the most dangerous tongue I know.”  Written in 1823, it would appear that there had been a falling out.)  Although she called herself Sally, one of her nicknames in Society was “Queen Sarah.”  When Lady Caroline Lamb published her novel GLENARVON in 1816, Lady Jersey was supposedly the inspiration for the character of Lady Augusta.  As a result, “Queen Sarah” banned Caroline from Almack’s, effectively ending Caroline’s social career. 

    Sarah Sophia and her husband entertained at their home in Berkley Square, and Middleton Park in Oxfordshire.  They seem to have spent little time at Osterley Park in Middlesex.  Sarah Sophia is supposed to have introduced the Quadrille to Almack’s in 1815. She was a noted political hostess for her husband, who legally added the name of Child in 1819 to become George Child-Villiers, Earl of Jersey. An avid hunter and racing aficionado, her husband held offices in the households of William IV and of Queen Victoria.  Sarah Sophia was interested in politics, and not shy about expressing her opinions.  She apparently switched from Whig to Tory views by the 1820’s.  She supported Queen Caroline against George IV when he tried to divorce Caroline, wearing a portrait of Caroline in public.   Sarah  Sophia also spoke openly against the Reform Bill of 1832. 

    George died October 3, 1859, followed shortly by their eldest son.   Her grandson (her oldest son’s son)   inherited the title.  After her husband’s death, she continued to entertain and take an interest in what was going on around her, especially charitable concerns including the establishment of schools on the family estates to assist tenants and laborers.  She died of a ruptured blood vessel, according to her obituary, at Berkley Square on January 26, 1867, at age 81, outliving her husband and six of her seven children.  Both Lord and Lady Jersey were buried at Middleton Stoney, Oxfordshire.

    Lady Jersey’s fame lived on after her, and she appears in Regency romance novels by many authors, including Georgette Heyer,  frequently as a character.  She will also be seen in my upcoming novel, due out later this year.

    [This is an expansion of some information I posted on Goodreads on Oct. 20, 2011 in the Historical Info for Historical Fiction Readers group.]

    Gronow, Captain Rees Howell.  Reminiscences of Captain Gronow. Originally published 1862: Smith, Elder & Co., London; republished by IndyPublish.com, McLean, VA.

    Quennell, Peter, ed. The Private Letters of Princess Lieven to Prince Metternich 1820-1826.  1938: E. P. Dutton & Co. Inc. NY. (P. 283)

    Robinson, Lionel G.  Letters of Dorothea, Princess Lieven, during her Residence in London, 1812-1834. 1902: Longmans, Green, and Co. London. (P. 29)

    “Child & Co, Bankers of London.”  http://www.hypatia.demon.co.uk/ost2006/historical_bank.html  

    Find A Grave. “Sarah Sophia Fane Child-Villiers.”  http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=91951396

    “Osterley Park– A Brief History.”   http://www.hypatia.demon.co.uk/ost2006/historical_brief.html  

    One London One blog.  “The Death of Lady Jersey in 1867.” By Kristine Hughes and Victoria Hinshaw.  Posted March 3, 2012. http://onelondonone.blogspot.com/2012/03/death-of-lady-jersey-in-1867.html

    The Peerage Online.  “Lady Sarah Sophia Fane.”  http://www.thepeerage.com/p2703.htm

    RBS Heritage Online. “Sarah Sophia Child-Villiers.” http://heritagearchives.rbs.com/wiki/Sarah_Sophia_Child-Villiers

    Regency History.  “Lady Jersey (1785-1867).” By Rachel Knowles, posted Nov. 4, 2011.  http://www.regencyhistory.net/2011/11/lady-jersey-1785-1867.html

    A Web of English History.  “Sarah Sophia Child, Lady Jersey, 1785-1867.” Dr. Marjory Bloy.   http://www.historyhome.co.uk/people/jersey.htm       

    Image: from Wikimedia Commons- Sarah Sophia Child Villiers, Countess of Jersey (née Fane) (1785-1867) by Alfred Edward Chalon, painted in the first half of the 19th century. http://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Sarah_Sophia_Child_Villiers%2C_Countess_of_Jersey_%28n%C3%A9e_Fane%29_%281785-1867%29%2C_by_Alfred_Edward_Chalon.jpg/361px-Sarah_Sophia_Child_Villiers%2C_Countess_of_Jersey_%28n%C3%A9e_Fane%29_%281785-1867%29%2C_by_Alfred_Edward_Chalon.jpg